Showing posts with label spiritual. Show all posts
Showing posts with label spiritual. Show all posts
Thursday, December 13, 2012
Nature Meditations( How to Meditate in Nature)
These meditations are done outside in natural surroundings. They help to enliven the basic intelligence of nature in our awareness and physiology. Our being resonates with the sight of a flower, sound of birds, feeling of the breeze. These experiences wake something up inside of us, and help to set our lives into a more natural rhythm. Nature lovers have discovered this secret without ever studying meditation!
In the nature meditations, we focus our awareness on the experience of nature — sight, sound, touch, smell (and perhaps even taste). As with every meditation on our website, when the mind wanders from the focus of the meditation, bring it gently back. There are several different ways that this meditation can be done. Experiment and find what works best for you.
Basic Nature Meditation — Eyes Closed
Find a comfortable position sitting or lying down. Begin with a few deep breaths, breathing deep into the belly, to help you relax and to bring you to the sensations of the present moment. Now close your eyes and be present to what is being experienced with your eyes closed. Notice how your body feels, as well as the activity of your mind and emotions. Experience whatever is present without resisting anything or trying to change it. Do this for about a minute.
Now bring your awareness to everything that you can experience in your surroundings. Feel the temperature of the air on your skin, the feeling of the breeze and the sun. Notice the sounds around you — birds, bees, crickets, flowing water. Listen to the symphony of nature. For the rest of the meditation, continue to experience these feelings and sounds. Whenever your mind wanders, gently bring it back to the experience of nature.
As you meditate, you can see where your attention is naturally drawn, or purposefully scan for different experiences. You can also focus on one experience and notice the experience in greater detail. If it is a bird’s song — notice the quality of the sound — as if you are going more deeply into the sound. (It may seem to have a shape or texture.) Don’t analyze the sound and label it with your mind — simply notice the quality of it.
Once again, whenever you notice that the mind has become absorbed in thoughts, easily bring it back to the sounds and sensations of being in nature. At times both awareness of the sensations from the environment and thoughts will be present. That’s fine. Just easily favor the experiences of nature.
Listening Meditation — Variation of Basic Nature Meditation
Begin as described in the Basic Nature Meditation, but focus on sound only. Let your awareness be with all the sounds in the environment, noticing them in great detail. You can also focus on one particular sound, such as that of flowing water. Continue to bring your attention back to that particular sound when your mind wanders.
Nature Meditation — Eyes Open
This meditation can be done while sitting, standing or walking. Time spent in nature can always be a form of meditation when we put our full attention on what is around us — the earth, trees, flowers, animals, fresh air, the breeze…
To intensify this experience, allow yourself to experience the sights, sounds and smells without labeling them and becoming mentally involved with them. Notice the tendency of the mind to name and evaluate everything — “Oh, look at that beautiful bird. What kind is it? Is it here all winter or where does it go?” When these kinds of thoughts come up, let them go. Simply experience the colors, shape, sounds, movement of the bird or whatever else you are experiencing. Let it be an experience without meaning and without reference to any other experience.
Experience everything with an open awareness, as if you’d never experienced anything like it before. As always, when the mind wanders and becomes caught up in thought, simply bring it back to the experience of nature.
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Friday, December 30, 2011
WHAT MAKES UP THE DIFFERENT DIMENSIONS OF OUR REALITY?
WHAT MAKES UP THE
DIFFERENT DIMENSIONS
OF OUR REALITY?

From "An Ascension Handbook" by Tony Stubbs
Your physical body exists in the 3rd dimension - it is matter-based. The 4th dimension is the astral plane - it is emotion-based. Together these two make up what we call the Lower Creation World. These are the dimensions where the game of separation is carried out. Only in these dimensions can the illusion of good and evil be maintained -and can You feel separated from Spirit and from each other. You've all became quite good at doing that. Its been a very successful game of separation but it is time for it to end. So, this planet is in a state of ascension. It is now vibrating at the very top Of the astral plane, right on the dividing line with the 5th dimension - the Lightbody dimension. As part of the ascension process, these dimensions will be 'rolled up into the higher dimensions and will cease to exist.
The 5th through the 9th dimensions make up the Mid-Creation Realm.
The 5th is the Lightbody dimension in which you are aware of yourself as a Master and a multidimensional being. In the 5th dimension, you are completely spiritually oriented. Many of You have came in from this plane to be Lightworkers.
6th dimension holds the templates for the DNA patterns of all types of species' creation, including humankind. It is also where the Light languages are stored and is made up mostly of colour and tone.. It is the dimension where consciousness creates through thought and one of the places where you work during sleep. It can be difficult to get a bead on this because 1 you are not in a body unless you choose to create one. Men you are operating 6th-dimensionally, you are more of an alive thought. You create through your. consciousness, but you don't necessarily have a vehicle for that consciousness.

The 7th dimension is that of pure creativity, pure light, pure tone. pure geometry, and pure expression. It is a plane of infinite refinement.
The 8th dimension is of group mind or group soul and where you would touch base with the vaster part of who you are. It is characterized by loss of sense of the "I". When You travel multi-dimensionally, it is this plane where you have most trouble keeping Your consciouness together because you are pure "we" operating with group goals. So, it may seem as though you have gone to sleep or, blanked out., (Ah-ha!)
The 9th dimension in the model that we use is the plane of the collective consciousness of planets, star systems, galaxies, and dimensions. Once again, it is very difficult to get a sense of "I" because you are so vast that everything is "you". Imagine being the consciousness of a galaxy. Every life-form, every star, - planet, and group mind of every species in it is you. If you visit this dimension, it can be difficult to remain conscious.
The 10th through 12th dimensions make up the Upper Creation Realm.
The 10th dimension is the source of the Rays, home of what are called the Elohim. This is where Light is differentiated and is the source of plans of creation which are sent to the MidCreation levels. You can have a sense of "I" at this level but it won't be what you are used to here.

The llth dimension is that of pre-formed Light, the point before creation and a state of exquisite expectancy just like the moment before a sneeze or an orgasm. It is the realm of the being known as Metatron, and of Archangels and the Higher Akashic for this Source-system. There are planetary Akashic records and galactic Akashics as well as the Akashic for an entire Source-system. You are in one Source-system of many. So, we are giving you a description of one Source-system only - this one. If you go to another Source-system, what you will experience will be different. As an Archangel, my home base is the 11th dimension. We come to you as messengers, that is what "Archangel" mans. It is one of my functions, I have many. I have an Elohim function which is not very verbal. We have many, many jobs.
The 12th dimension is the One Point where all consciousness knows itself to be utterly one with All That Is. There is no separation of any kind. If you tap into this level, you know yourself to be completely one with All That Is, with the creator force. If you tap in there, you will never be the same again because you cannot sustain the same degree of separation if you have experienced complete unity.

Spirit creates the illusion of separation up to the 7th dimension. At higher frequencies, distinctions become completely meaningless, and all is Spirit. A definite frequency band exists in all these levels which acts as a unifying medium, a common frequency. Just like the public channel on CB radio, except that you don't just talk on it, but you are part of it. If you match your consciousness to the frequency of this Unity Band, you experience complete unity with all that is. It is also known as the Christed Band and emanates from the Christed level. It throws off sub-harmonics into all the lower frequency planes. The energy in the Christed level is your energy. It is the level at which you existed as a Christed Being, above all separateness.
DIFFERENT DIMENSIONS
OF OUR REALITY?

From "An Ascension Handbook" by Tony Stubbs
Your physical body exists in the 3rd dimension - it is matter-based. The 4th dimension is the astral plane - it is emotion-based. Together these two make up what we call the Lower Creation World. These are the dimensions where the game of separation is carried out. Only in these dimensions can the illusion of good and evil be maintained -and can You feel separated from Spirit and from each other. You've all became quite good at doing that. Its been a very successful game of separation but it is time for it to end. So, this planet is in a state of ascension. It is now vibrating at the very top Of the astral plane, right on the dividing line with the 5th dimension - the Lightbody dimension. As part of the ascension process, these dimensions will be 'rolled up into the higher dimensions and will cease to exist.
The 5th through the 9th dimensions make up the Mid-Creation Realm.
The 5th is the Lightbody dimension in which you are aware of yourself as a Master and a multidimensional being. In the 5th dimension, you are completely spiritually oriented. Many of You have came in from this plane to be Lightworkers.
6th dimension holds the templates for the DNA patterns of all types of species' creation, including humankind. It is also where the Light languages are stored and is made up mostly of colour and tone.. It is the dimension where consciousness creates through thought and one of the places where you work during sleep. It can be difficult to get a bead on this because 1 you are not in a body unless you choose to create one. Men you are operating 6th-dimensionally, you are more of an alive thought. You create through your. consciousness, but you don't necessarily have a vehicle for that consciousness.

The 7th dimension is that of pure creativity, pure light, pure tone. pure geometry, and pure expression. It is a plane of infinite refinement.
The 8th dimension is of group mind or group soul and where you would touch base with the vaster part of who you are. It is characterized by loss of sense of the "I". When You travel multi-dimensionally, it is this plane where you have most trouble keeping Your consciouness together because you are pure "we" operating with group goals. So, it may seem as though you have gone to sleep or, blanked out., (Ah-ha!)
The 9th dimension in the model that we use is the plane of the collective consciousness of planets, star systems, galaxies, and dimensions. Once again, it is very difficult to get a sense of "I" because you are so vast that everything is "you". Imagine being the consciousness of a galaxy. Every life-form, every star, - planet, and group mind of every species in it is you. If you visit this dimension, it can be difficult to remain conscious.
The 10th through 12th dimensions make up the Upper Creation Realm.
The 10th dimension is the source of the Rays, home of what are called the Elohim. This is where Light is differentiated and is the source of plans of creation which are sent to the MidCreation levels. You can have a sense of "I" at this level but it won't be what you are used to here.

The llth dimension is that of pre-formed Light, the point before creation and a state of exquisite expectancy just like the moment before a sneeze or an orgasm. It is the realm of the being known as Metatron, and of Archangels and the Higher Akashic for this Source-system. There are planetary Akashic records and galactic Akashics as well as the Akashic for an entire Source-system. You are in one Source-system of many. So, we are giving you a description of one Source-system only - this one. If you go to another Source-system, what you will experience will be different. As an Archangel, my home base is the 11th dimension. We come to you as messengers, that is what "Archangel" mans. It is one of my functions, I have many. I have an Elohim function which is not very verbal. We have many, many jobs.
The 12th dimension is the One Point where all consciousness knows itself to be utterly one with All That Is. There is no separation of any kind. If you tap into this level, you know yourself to be completely one with All That Is, with the creator force. If you tap in there, you will never be the same again because you cannot sustain the same degree of separation if you have experienced complete unity.

Spirit creates the illusion of separation up to the 7th dimension. At higher frequencies, distinctions become completely meaningless, and all is Spirit. A definite frequency band exists in all these levels which acts as a unifying medium, a common frequency. Just like the public channel on CB radio, except that you don't just talk on it, but you are part of it. If you match your consciousness to the frequency of this Unity Band, you experience complete unity with all that is. It is also known as the Christed Band and emanates from the Christed level. It throws off sub-harmonics into all the lower frequency planes. The energy in the Christed level is your energy. It is the level at which you existed as a Christed Being, above all separateness.
Monday, July 25, 2011
NATURE...By Ralph Waldo Emerson

To go into solitude, a man needs to retire as much from his chamber as from society. I am not solitary whilst I read and write, though nobody is with me. But if a man would be alone, let him look at the stars. The rays that come from those heavenly worlds, will separate between him and what he touches. One might think the atmosphere was made transparent with this design, to give man, in the heavenly bodies, the perpetual presence of the sublime. Seen in the streets of cities, how great they are! If the stars should appear one night in a thousand years, how would men believe and adore; and preserve for many generations the remembrance of the city of God which had been shown! But every night come out these envoys of beauty, and light the universe with their admonishing smile.

The stars awaken a certain reverence, because though always present, they are inaccessible; but all natural objects make a kindred impression, when the mind is open to their influence. Nature never wears a mean appearance. Neither does the wisest man extort her secret, and lose his curiosity by finding out all her perfection. Nature never became a toy to a wise spirit. The flowers, the animals, the mountains, reflected the wisdom of his best hour, as much as they had delighted the simplicity of his childhood.

When we speak of nature in this manner, we have a distinct but most poetical sense in the mind. We mean the integrity of impression made by manifold natural objects. It is this which distinguishes the stick of timber of the wood-cutter, from the tree of the poet. The charming landscape which I saw this morning, is indubitably made up of some twenty or thirty farms. Miller owns this field, Locke that, and Manning the woodland beyond. But none of them owns the landscape. There is a property in the horizon which no man has but he whose eye can integrate all the parts, that is, the poet. This is the best part of these men's farms, yet to this their warranty-deeds give no title.

To speak truly, few adult persons can see nature. Most persons do not see the sun. At least they have a very superficial seeing. The sun illuminates only the eye of the man, but shines into the eye and the heart of the child. The lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood. His intercourse with heaven and earth, becomes part of his daily food. In the presence of nature, a wild delight runs through the man, in spite of real sorrows. Nature says, -- he is my creature, and maugre all his impertinent griefs, he shall be glad with me. Not the sun or the summer alone, but every hour and season yields its tribute of delight; for every hour and change corresponds to and authorizes a different state of the mind, from breathless noon to grimmest midnight. Nature is a setting that fits equally well a comic or a mourning piece. In good health, the air is a cordial of incredible virtue. Crossing a bare common, in snow puddles, at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed a perfect exhilaration. I am glad to the brink of fear.

In the woods too, a man casts off his years, as the snake his slough, and at what period soever of life, is always a child. In the woods, is perpetual youth. Within these plantations of God, a decorum and sanctity reign, a perennial festival is dressed, and the guest sees not how he should tire of them in a thousand years. In the woods, we return to reason and faith. There I feel that nothing can befall me in life, -- no disgrace, no calamity, (leaving me my eyes,) which nature cannot repair. Standing on the bare ground, -- my head bathed by the blithe air, and uplifted into infinite space, -- all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God. The name of the nearest friend sounds then foreign and accidental: to be brothers, to be acquaintances, -- master or servant, is then a trifle and a disturbance. I am the lover of uncontained and immortal beauty. In the wilderness, I find something more dear and connate than in streets or villages. In the tranquil landscape, and especially in the distant line of the horizon, man beholds somewhat as beautiful as his own nature.

The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is not unknown. Its effect is like that of a higher thought or a better emotion coming over me, when I deemed I was thinking justly or doing right.

Yet it is certain that the power to produce this delight, does not reside in nature, but in man, or in a harmony of both. It is necessary to use these pleasures with great temperance. For, nature is not always tricked in holiday attire, but the same scene which yesterday breathed perfume and glittered as for the frolic of the nymphs, is overspread with melancholy today. Nature always wears the colors of the spirit. To a man laboring under calamity, the heat of his own fire hath sadness in it. Then, there is a kind of contempt of the landscape felt by him who has just lost by death a dear friend. The sky is less grand as it shuts down over less worth in the population.

R.I.P.Cuz...Love You...
Monday, October 25, 2010
The Path Of The Ancients

The Path Of The Ancients...the path to the beach.I call upon our people to join us;I ask for the voice of the drums to speak softly. I ask for the fire to be built and set aflame,That you may see with clarity the greater picture of your mission.
Panther arrives and stands between us,while the Dream-Dancers move to the soft beat of the drums. From afar, a flutes fragile sound weaves throughout the music-first so soft and low,then higher and powerful.
We wait for you to dance the depth and breadth of your pain,thereby releasing it's awesome burden to the ether.
Slowly,you lift your arms toward the night skies. A profound silence comes quickly to embrace all in attendance;then,a single drumbeat-slow,steady; and emphatic rises up to encircle you. The many prisms of light emanate from you;and, you begin to dance slowly,and with measured clarity.
The drumbeat increases,and so your dance quickens. The Dream Dancers move around you, in a weaving fashion. You seem unaware of them.
Tears fall silently from your closed eyes,but your step is sure and steady.
A voice from afar begins to chant, and you chant as though in answer.You continue to dance among the Dream Dancers. The pain,the tears,the passion flow freely outward,and is gathered elsewhere to be dispersed,and gone from you.
The Drums slow and become muted. You begin to tire.The Dream Dancers withdraw. Once again,we are alone on the beach.We sit on the sand.Panther lies between us. The soft hush of the surf is like an Ancient lullaby. We sleep,while Panther remains between us with her strength and warmth.
Saturday, October 23, 2010
The Illuninarie's

The Illuminarie's...this phrase has whispered it's presence for several days...then comes a definition..."that which bears light."
People come to mind...Akasa Wolfsong being the most brilliant,the most prismatic,the most gentle.
" That which bears light." The light of a candle easily depresses the darkness,and lends a sense of warmth and tranquility.
An Illuminary also depresses the darkness, and also lends warmth and tranquility.Yet, it does ever so much more.It branches far into the universes. It embraces the now and yet to be,until both merge into eternal oneness,thus rising in exquisite glory, to scatter myriads of grace upon all who see and honor,"That which bears light."
Wednesday, October 20, 2010

Grandfather is in shadow tonight,yet I feel his silent presence-that ageless,gentle,loving presence.
About a half hour ago,I was outside,and heard an Owl's call several times. Oh,how glorious a sound. How haunting,and primal. How utterly compelling; and,re-assuring-for what reason,I don't know.
I am of the night. I am most in my element at the hours after night has settled in. I feel a deep vibration that resonates with who I am. The silence,the wondrous stillness is nourishment and vitality for me.
there is a night fire-unearthly,and equaled only by the power of the ocean's ever-moving waters. There is a solitary path which only I may walk with Grandfather.
He comes in many forms,but always,it is he-beloved son of the Ancients-who walks with me.
Friday, October 1, 2010
The Web
One afternoon, my husband and I were cleaning the house with a high-pressure hose and along the way battering the top of a plastic watering can.
“This hose is cleaning the house,” he said, “but it won’t budge this.”
In the mouth of our watering can were strands of a cobweb that would not break even under the force of the water. The silk is so tough it can last for years if undisturbed, which is why cobwebs seem to appear wherever you look. In fact, there are all kinds of spider webs practically everywhere. Our deck on summer mornings looks like a construction site, with guy wires strung from house to chair to geranium plant.

These wires are the initial bridges of the familiar spiral-shaped orb webs. To set one up, the orb-weaving spider trails a strand of silk from a prominent spot like a grass tip or a deck chair, and the breeze catches it and tacks it serendipitously to another blade of grass or corner of the house. The spider then walks this bridge back and forth paying out silk to reinforce it. When the bridge feels sturdy and taut, the spider ties another line to it and drops down to secure it below. Next, in a methodical, craftsmanlike process, the spider builds radial spokes and two sets of spirals – one temporary scaffolding, then one permanent — until the day’s web is complete and ready to snare flying meals. A black and yellow garden spider takes a half-hour to an hour to complete the engineering of an orb web 1 to 2 feet in diameter.
I’ve never seen the whole building process from start to finish, but I watched an Araneus diademetus spider ride an orb web fastened between the outside mirror and the door of my car unharmed through 55 mph wind all the way to my house one evening. When we stopped in the dusk light in the garage, the spider fussed with some threads for a minute or two, and then in less than five seconds dismantled the whole thing and retreated under the mirror for the night.

Orb weavers are programmed by instinct — whatever that is — to construct orb webs, while other spiders make cobwebs, sheet webs or funnel webs, which you can see on the lawn covered with dew in the morning. They’re a few inches or a foot wide, and have a funnel in the center where the grass spider, for example, waits for insects to get tangled up, then darts out to capture them. There also are minimalist “reduced webs” that may be only an H shape or even just a single strand.
The silk of an orb-weaving garden spider is about .00012 inch in diameter; at this size, it’s stronger than steel and more difficult to break than rubber. Spider silk can stretch up to 15 percent of its length before it breaks, and in some cases more. This toughness has been compared to Kevlar, which is used in bullet-proof vests and stretches to about 4 percent before breaking. The strongest natural fiber known is the silk of Nephila genus spiders in the South Seas, which islanders make fish nets out of.
You’d think a fiber like this would be manufacturable, but so far no one has been able to figure out how to farm it. To produce the silk in sufficient quantity, you need a lot of spiders, but it turns out you can’t keep too many spiders together in one place because they eat each other.
Spiders’ silk, which is a protein, is produced by glands in their bodies and dispensed through spigots mounted on spinnerets on their abdomens. They spin tiny threads together into single strands, and can generate seven different kinds of silk for different purposes, including insect traps, as well as shelters, egg cases, and nests for mating and in some species nursing their young. Some spiderlings throw out a line of silk from a high place, let the wind take it like a sail, and go “ballooning” off to seek their fortunes in parts unknown. Great clouds of voyaging spiderlings have been reported miles out to sea.
I’ve watched garden spiders carefully making repairs to webs, working the claws at the tips of their legs as dexterously as if they were sewing or knitting. It seems there must be some consciousness of what’s happening in an operation that intricate — the spider clearly makes judgments about strength, tautness, elasticity and shape. Some orb-weaving spiders are more attentive to symmetry and perfection when young, then get a little sloppier as they age. Are spiders aware of what’s functionally necessary and of what’s decorative, or beyond?
How you would ever know the answer to this question, I’m not sure. What spiders think of their silkwork, I do not know, though I’d like to. At least, it’s my instinct to wonder, and I’ve left those cobwebs practically everywhere in one form or another.
Here is one of the stories of Grandmother Spider:

When the Universe was still so dark that not even shadows could be seen in the night, Grandmother Spider sat in her web in the Sky World, waiting and watching. No one knows how old Grandmother Spider is, or how long she sat waiting for the Universal Mind to awaken. But, every Creature Being who has ever lived knows her song and dance as the weaver of the Web of Life.
From her web, Grandmother Spider observed the first thoughts as the Universal Mind awakened from the dream. Seven energy beings floated out from the shining light in the center of the Universal Mind and solidified into bright, shining stars who went out to take their places in the Sky World. Grandmother Spider took a very deep breath and softly began to sing her weaving song while she danced across the Sky. As she spun her thread, Grandmother Spider envisioned the Web of Life. Within moments, she had woven her web connecting the seven stars and creating the Spirit Doorway through which all of the rest of life would enter.Art by Lyndia Radice
The seven stars reflected the spectrum of all colors within their glow. Dancing with the colored light, shadows came into being as the darkness took form. More thoughts flowed from the Universal Mind, entered through the Doorway of the Seven Stars, and took their places in the Sky World. These became more stars, suns and planets. Then, many other thoughts entered the Universe, each one taking a specific place according to the universal dream of harmony.
Each thought was a spirit essence who dreamed an individual dream for manifesting life. Grandmother Spider spun her web around each new energy being and the Universal Web of Life shimmered in the reflection of Great Mystery's light.
Singing her song and weaving the Web of Life, Grandmother Spider continued with her work. The Sky World filled with light and life as her creative process unfolded. As the stars, suns and planets prepared to give birth to their children, Grandmother Spider spun her cord even longer, so that all of the newly born could be included in the Web of Life. Grandmother Spider continues to weave the Web of Life throughout every cycle of creation.
All life everywhere in the Universe is connected by the Web of Life. We are not separate beings. We are each a part of the Great Mystery, manifesting as an individual awareness in a separate physical body, but sharing the same energy as all other life. The energy web is anchored within our center and is our connection to the Great Mystery.
Along with Grandmother Spider's web cord, we carry within our center our dream for living that includes a promise and a purpose. Before we came into the Earthwalk, we chose the gifts and talents that help us create the reality that we envisioned. We also chose the lessons and challenges that motivate our learning and growth.
Our dream for living carries a specific vibration of sound and color that guides our spirit essence in it's flight from the Universal Mind, through the Sacred Cave, and into the womb of our physical mother. During our Earthwalk, we live our choices and lessons, and develop our talents and gifts, as we meet each situation and challenge of our growth. We must remember our purpose and promise and focus our life in this direction if we are to be happy and fulfilled.
Grandmother Spider weaves the Web of Life around us when our spirit essence enters its physical body inside the womb of our mother. From feet to head, our spirit essence is woven together with our physical body as Grandmother Spider sings her weaving song to us.
When she completes her weaving, Grandmother Spider does not cut the cord, but leaves an energy trail with her weft thread that goes out from our center to connect with the next Creature Being that will enter the Web of Life.
The gift of Grandmother Spider is the personal energy web that we walk with throughout our entire life. This energy web allows our spirit essence to experience our senses, emotional feelings and physical pain and pleasures. This connection also allows our physical body to develop an intuitive perception of Universal Wisdom. Through the web, we can work with energy for creativity and healing. Our personal energy web maintains our connection to the Web of Life and the Great Mystery. This gift of Grandmother Spider insures that we are never alone, for through it we always share the love of All Our Relations.
Our energy web surrounds our physical body, enveloping it with a vibrating energy that is our personal rhythm. Our energy web is connected to our physical body through energy centers that are the communication channels between our physical body and spirit essence. Our mind is the link between body and spirit essence, interpreting and directing the flow of energy back and fourth. Breathing and movement enables our body to direct energy and our thoughts to affect our physical health. To live in comfort, we need to maintain a balance of body, mind and spirit within our personal energy web.
Grandmother Spider is always busy with her work, as the creation of life is happening at every moment. After connecting each Creature Being within her vibrating threads, Grandmother Spider goes on to the next, spinning out a continuous cord in her never ending dance. A Creature Being enters the Earthwalk, then a Plant Person, a Stone Person, a Water Person, a Four-Legged, a Two-Legged, and on and on. For each of these, Grandmother Spider weaves a personal energy web and extends her cord out from this Creature's center to continue on with the weaving of the Web of Life.

The Web of Life is a beautiful braid that holds the energy of all life together. Grandmother Spider's dance of spinning and weaving continues indefinitely, as new patterns within the web are being woven every moment when each new life enters the Earthwalk.
At the other end of Grandmother Spider's tapestry, the web is always unraveling, as every spirit essence travels back through the doorway of the Sacred Cave to the Spirit World when life is complete.
All life shares an equal place within the Web of Life. The gifts and contributions of each and every Creature Being are very important for the survival of MotherEarth. Each Creature Being, in following through with the performance of their specific life task, affects the welfare of all the other Creature Beings in the web. Without the benefit of even one Creature's work, the Web of Life would lack the energy of wholeness necessary for the circle of life's cycles to continue on with their rhythm.
“This hose is cleaning the house,” he said, “but it won’t budge this.”
In the mouth of our watering can were strands of a cobweb that would not break even under the force of the water. The silk is so tough it can last for years if undisturbed, which is why cobwebs seem to appear wherever you look. In fact, there are all kinds of spider webs practically everywhere. Our deck on summer mornings looks like a construction site, with guy wires strung from house to chair to geranium plant.

These wires are the initial bridges of the familiar spiral-shaped orb webs. To set one up, the orb-weaving spider trails a strand of silk from a prominent spot like a grass tip or a deck chair, and the breeze catches it and tacks it serendipitously to another blade of grass or corner of the house. The spider then walks this bridge back and forth paying out silk to reinforce it. When the bridge feels sturdy and taut, the spider ties another line to it and drops down to secure it below. Next, in a methodical, craftsmanlike process, the spider builds radial spokes and two sets of spirals – one temporary scaffolding, then one permanent — until the day’s web is complete and ready to snare flying meals. A black and yellow garden spider takes a half-hour to an hour to complete the engineering of an orb web 1 to 2 feet in diameter.
I’ve never seen the whole building process from start to finish, but I watched an Araneus diademetus spider ride an orb web fastened between the outside mirror and the door of my car unharmed through 55 mph wind all the way to my house one evening. When we stopped in the dusk light in the garage, the spider fussed with some threads for a minute or two, and then in less than five seconds dismantled the whole thing and retreated under the mirror for the night.

Orb weavers are programmed by instinct — whatever that is — to construct orb webs, while other spiders make cobwebs, sheet webs or funnel webs, which you can see on the lawn covered with dew in the morning. They’re a few inches or a foot wide, and have a funnel in the center where the grass spider, for example, waits for insects to get tangled up, then darts out to capture them. There also are minimalist “reduced webs” that may be only an H shape or even just a single strand.
The silk of an orb-weaving garden spider is about .00012 inch in diameter; at this size, it’s stronger than steel and more difficult to break than rubber. Spider silk can stretch up to 15 percent of its length before it breaks, and in some cases more. This toughness has been compared to Kevlar, which is used in bullet-proof vests and stretches to about 4 percent before breaking. The strongest natural fiber known is the silk of Nephila genus spiders in the South Seas, which islanders make fish nets out of.
You’d think a fiber like this would be manufacturable, but so far no one has been able to figure out how to farm it. To produce the silk in sufficient quantity, you need a lot of spiders, but it turns out you can’t keep too many spiders together in one place because they eat each other.
Spiders’ silk, which is a protein, is produced by glands in their bodies and dispensed through spigots mounted on spinnerets on their abdomens. They spin tiny threads together into single strands, and can generate seven different kinds of silk for different purposes, including insect traps, as well as shelters, egg cases, and nests for mating and in some species nursing their young. Some spiderlings throw out a line of silk from a high place, let the wind take it like a sail, and go “ballooning” off to seek their fortunes in parts unknown. Great clouds of voyaging spiderlings have been reported miles out to sea.
I’ve watched garden spiders carefully making repairs to webs, working the claws at the tips of their legs as dexterously as if they were sewing or knitting. It seems there must be some consciousness of what’s happening in an operation that intricate — the spider clearly makes judgments about strength, tautness, elasticity and shape. Some orb-weaving spiders are more attentive to symmetry and perfection when young, then get a little sloppier as they age. Are spiders aware of what’s functionally necessary and of what’s decorative, or beyond?
How you would ever know the answer to this question, I’m not sure. What spiders think of their silkwork, I do not know, though I’d like to. At least, it’s my instinct to wonder, and I’ve left those cobwebs practically everywhere in one form or another.
Here is one of the stories of Grandmother Spider:

When the Universe was still so dark that not even shadows could be seen in the night, Grandmother Spider sat in her web in the Sky World, waiting and watching. No one knows how old Grandmother Spider is, or how long she sat waiting for the Universal Mind to awaken. But, every Creature Being who has ever lived knows her song and dance as the weaver of the Web of Life.
From her web, Grandmother Spider observed the first thoughts as the Universal Mind awakened from the dream. Seven energy beings floated out from the shining light in the center of the Universal Mind and solidified into bright, shining stars who went out to take their places in the Sky World. Grandmother Spider took a very deep breath and softly began to sing her weaving song while she danced across the Sky. As she spun her thread, Grandmother Spider envisioned the Web of Life. Within moments, she had woven her web connecting the seven stars and creating the Spirit Doorway through which all of the rest of life would enter.Art by Lyndia Radice
The seven stars reflected the spectrum of all colors within their glow. Dancing with the colored light, shadows came into being as the darkness took form. More thoughts flowed from the Universal Mind, entered through the Doorway of the Seven Stars, and took their places in the Sky World. These became more stars, suns and planets. Then, many other thoughts entered the Universe, each one taking a specific place according to the universal dream of harmony.
Each thought was a spirit essence who dreamed an individual dream for manifesting life. Grandmother Spider spun her web around each new energy being and the Universal Web of Life shimmered in the reflection of Great Mystery's light.
Singing her song and weaving the Web of Life, Grandmother Spider continued with her work. The Sky World filled with light and life as her creative process unfolded. As the stars, suns and planets prepared to give birth to their children, Grandmother Spider spun her cord even longer, so that all of the newly born could be included in the Web of Life. Grandmother Spider continues to weave the Web of Life throughout every cycle of creation.
All life everywhere in the Universe is connected by the Web of Life. We are not separate beings. We are each a part of the Great Mystery, manifesting as an individual awareness in a separate physical body, but sharing the same energy as all other life. The energy web is anchored within our center and is our connection to the Great Mystery.
Along with Grandmother Spider's web cord, we carry within our center our dream for living that includes a promise and a purpose. Before we came into the Earthwalk, we chose the gifts and talents that help us create the reality that we envisioned. We also chose the lessons and challenges that motivate our learning and growth.
Our dream for living carries a specific vibration of sound and color that guides our spirit essence in it's flight from the Universal Mind, through the Sacred Cave, and into the womb of our physical mother. During our Earthwalk, we live our choices and lessons, and develop our talents and gifts, as we meet each situation and challenge of our growth. We must remember our purpose and promise and focus our life in this direction if we are to be happy and fulfilled.
Grandmother Spider weaves the Web of Life around us when our spirit essence enters its physical body inside the womb of our mother. From feet to head, our spirit essence is woven together with our physical body as Grandmother Spider sings her weaving song to us.
When she completes her weaving, Grandmother Spider does not cut the cord, but leaves an energy trail with her weft thread that goes out from our center to connect with the next Creature Being that will enter the Web of Life.
The gift of Grandmother Spider is the personal energy web that we walk with throughout our entire life. This energy web allows our spirit essence to experience our senses, emotional feelings and physical pain and pleasures. This connection also allows our physical body to develop an intuitive perception of Universal Wisdom. Through the web, we can work with energy for creativity and healing. Our personal energy web maintains our connection to the Web of Life and the Great Mystery. This gift of Grandmother Spider insures that we are never alone, for through it we always share the love of All Our Relations.
Our energy web surrounds our physical body, enveloping it with a vibrating energy that is our personal rhythm. Our energy web is connected to our physical body through energy centers that are the communication channels between our physical body and spirit essence. Our mind is the link between body and spirit essence, interpreting and directing the flow of energy back and fourth. Breathing and movement enables our body to direct energy and our thoughts to affect our physical health. To live in comfort, we need to maintain a balance of body, mind and spirit within our personal energy web.
Grandmother Spider is always busy with her work, as the creation of life is happening at every moment. After connecting each Creature Being within her vibrating threads, Grandmother Spider goes on to the next, spinning out a continuous cord in her never ending dance. A Creature Being enters the Earthwalk, then a Plant Person, a Stone Person, a Water Person, a Four-Legged, a Two-Legged, and on and on. For each of these, Grandmother Spider weaves a personal energy web and extends her cord out from this Creature's center to continue on with the weaving of the Web of Life.

The Web of Life is a beautiful braid that holds the energy of all life together. Grandmother Spider's dance of spinning and weaving continues indefinitely, as new patterns within the web are being woven every moment when each new life enters the Earthwalk.
At the other end of Grandmother Spider's tapestry, the web is always unraveling, as every spirit essence travels back through the doorway of the Sacred Cave to the Spirit World when life is complete.
All life shares an equal place within the Web of Life. The gifts and contributions of each and every Creature Being are very important for the survival of MotherEarth. Each Creature Being, in following through with the performance of their specific life task, affects the welfare of all the other Creature Beings in the web. Without the benefit of even one Creature's work, the Web of Life would lack the energy of wholeness necessary for the circle of life's cycles to continue on with their rhythm.
Thursday, September 30, 2010
Altair

Suspended over the fir trees out my door on summer evenings is the star Altair. It’s the brightest in a flat diamond of stars poised at an oblique angle over the trees, making up part of the constellation Aquila.
It’s also one of the three bright stars in what’s called in recent times the Summer Triangle: Altair, Deneb and Vega. To see the triangle around 9 or 10 p.m. this time of year, look toward the top of the sky — the brightest thing you see is Vega. Sweep left, and the star not quite as bright as Vega is Deneb. Altair toward the southern horizon is the apex of the equilateral triangle.
For quite a long time, the stars in this part of the sky have been associated with birds, or so the scholars say.
The name Altair comes from a phrase in the seventh- or eighth-century Arabic name for the constellation, Al Nasr al Ta’ir, the Flying Eagle, and means roughly “the rising one.” The Babylonians and Sumerians 3,000 years or more ago probably called it the Eagle Star, as did the Greeks later on. Aquila is Latin for eagle, the constellation’s name in Roman times. The easily visible star just above Altair is Tarazed, and dimmer just below it is Alshain, both taken from an ancient Persian name for the whole asterism, Shahin tara zed, meaning in one translation “the star-striking falcon.” Anyway it’s an image of sweeping power rendered there in the stars.
Aquila still flies there summer nights above the treetops in Maine. And higher to the east is Cygnus, the Swan, an easily spotted cross of six stars. Deneb is the top of the cross and the tail (al dhanab, in Arabic) of the swan. The central star is Sadr, the breast, and the lower star of the crosspiece is Gienah, from the Arabic al janah, “the wing,” of the swan or also the Hen for Arab astronomers. The Greeks also called the constellation Cycnos, the Swan, and simply Ornis, the Bird. Whatever you name it, that kind of grace is unmistakable there, in those stars.
Near the zenith on summer nights is Vega in the constellation Lyra, the Lyre, with one of the oldest continuously used star names from Arab sources. Indigenous Arab people called Vega Al Nasr al Waqi, variously translated as “the eagle the falling one,” or “the swooping eagle (or vulture),” or also “stone eagle of the desert.” The word Vega after a millennium of use seems to derive from waqi. The Romans called the constellation the Lyre, and the bird and music imagery were synthesized by the time Galileo turned telescopes skyward around 1610. The blue beauty of Vega, like a large bird in flight or like music, or both, is a force of grace and harmony there in the stars.
For being stationary, these powerful birds reflect kaleidoscoping wheels of motion, and they are not alone. Shot from the bow of the archer Sagittarius — who is low on the horizon (behind my firs) in these parts during July and August — and flying on a trajectory that has missed the eagle and will in some mythic future just miss the swan, is the arrow, Sagitta. Its trajectory skirted Scutum, the Shield, where one of the most graceful of all star clusters dots the sky (also obscured by trees at my house), known in the 1700s as M11 and later the Wild Duck Cluster. In a small telescope it looks, if your mind rises to its level, like a distant flock of ducks scattering, or so W.H. Smyth thought in the 1800s. The feel of it, at least, mirrors the other powerful flight taking place in the summer stars.
The ancient astronomers couldn’t see the Wild Duck Cluster, having no telescopes. And the truth is, the only constellation of all those named here whose dots connect to an image anything like its name is Cygnus. Even then, what we see there literally at a glance is a cross, not a swan. But like everything else in life, the more you watch the triangle of Aquila, Deneb and Vega, the more there meets the eye. A lot more.
Even though they’re fixed, these stars are in a special kind of flight relative to the season and the pointed firs. It’s not just that they’re enormous nuclear furnaces — so are the stars of Orion and the Big Dipper. These are revealing some cosmic motion peculiar to them that inspires a peculiar kind of awe. The awe you feel is your detection of that motion. An underlying motion, like powerful birds on the wing at night.
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Saturday, September 18, 2010
Thank You Grandfather

Aside from the gift of you in my life,the old one is so precious to me.He is here with me often and we share countless moments in silence,and wanderings;while others sleep,we watch,and dream,and wait.His presence is calming,his vision refreshing,his gift so priceless,so beyond words.Thank you Grandfather.
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Thursday, September 16, 2010
Journey of ,"The Young One"

From the furthest reaches of all the countless universes,there comes a soft whispering.It's vibration moves in wave upon wave of light.It's silent passage shall find it's destination. It's purpose shall be realized.Finally,the light descends,and comes to rest at the entrance of a cave.Within the cave,sits an old one.The eyes reflect the light hovering outside.
To the right of the old one rests a young one sleeping.The old one nods his head,and awakens the young one.With eyes full of sleep,the young one arises and approaches the cave's entrance.The light takes the form of a woman.The young one goes to her and receives that which rests upon the palm of her extended hand.The young one nods in respect and thanksgiving.The woman speaks,"Look at the ring. Allow it to touch your inner-vision. It will speak to you with great clarity."
The young one looks at the ring,which then begins to form a spiral of light around the young one.Still focused on the ring,the young one notes gems of diamond,garnet,jade,and pearl. Again the woman speaks,"Within you are the elements of each gems power...it's voice and it's vision.Hear it's voice and behold it's vision.Both will guide and sustain you." The young one answers with a smile,as the light ascends back into the deep night skies.Returning to the cave,the young one finds the old one gone;and,in the stead of the old one wait two pillars of fire.
The young one places the multi-gem-ed ring between the two pillars. A sudden vortex lifts the pillars of fire,with the ring,and carries all to the outside of the cave.
The young one runs to the outside of the cave,finding only silence and rocky ledge. The young one falls to trembling knees,crying out to the night skies,"Where is the old one? Why am I left here alone?"
Again,a whispering reaches the young one,"You are not left alone. Never is mine left alone. Sleep. The dawn comes soon. At first light begin your journey. Find your way to where the multi-gem-ed ring will lead you."
The young one lay prone at the entrance of the cave,drifting ever deeper on wave after wave of light . The old one sits near the sleeping one...softly humming.
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Monday, September 13, 2010
"The Dance"

Hear me whisper your name. I am here on the cliffs-the moon rides silently high above...It's light dances with reverence upon the slow moving waters.There is sweet stillness here. The mingling of pine and cedar with the salty air cleanses every particle of our beings,and the glorious power rising from the depths of the mighty sea surges on and on-rushing ever deeper in each of us,flowing in and tru us. It is so right and so good to be here,beloved Sister.
Your smile says as much as you begin the dancing.So aligned are you with the resounding heartbeat rising from the deep living waters below.
I would dance with you,but,for now it is sufficient for me to watch.So awesome is the life energy emanating from you.The graceful movement of the higher you comes forth,until I no longer see the physical- only the ecstatic fire building-rising above the earth,moving outward over the waters;and the sound of your tears decends with incredible tenderness upon the earth. The hushed sound of tinkling bells echo with each tear as it touches down.
In the distance the sound of drums,(barely audible,)drift upon the waves.You turn toward me. The light in your eyes are actual torches of camp fire,and the drums echo a Thank You to you for your visit.
Friday, August 20, 2010
For Akasa Wolfsong

>You are so intricately woven into my life,I cannot recall when you were not.I could no more walk without you than I could stop breathing.I know and I understand that we've always walked together...as do you.That is how it is,and will always be.I know we'll always be there for each other;and,you know it as well.
There's no explaining this awesome gift,it just is.I can merely whisper,"Thank you God,for this timeless friend,as often as possible.Please know how much you have given into my life...all of which is a Sacred Privilege for me.
The gift of you is one of the most precious gifts I have ever received.I treasure this gift always and,The Giver.We have been brought together for reasons reaching far beyond ourselves.What a glorious journey !
From your Flannel Robe Sister

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Wednesday, August 18, 2010
Harvest Prayer
You, O God, are the Lord of the mountains and valleys. You are my mother and my father. You have given rain to make the corn grow, and sunshine to ripen it. Now in your strength the harvest begins.
I offer you the first morsels of the harvest. I know it is almost nothing compared with the abundance of the crop. But since you have provided the harvest, my gift to you is only a sign of what you have given to me.

You alone know how many suns and moons it will take to finish reaping. You alone know how heavy the crop will be. If I work too hard and too fast I forget about you, who gave me the harvest. So I will work steadily and slowly, remembering that each ear of corn is a priceless gift from you.

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Monday, August 16, 2010
Native Women

Native Women
"The honor of the people lies in the moccasin tracks of the woman. Walk the good road.... Be dutiful, respectful, gentle and modest my daughter... Be strong with the warm, strong heart of the earth. Be strong and sing the strength of the Great Powers within you, all around you." --Village Wise Man, SIOUX
The Elders say the Native American women will lead the healing among the tribes. We need to especially pray for our women, and ask the Creator to bless them and give them strength. Inside them are the powers of love and strength given by the Moon and the Earth. When everyone else gives up, it is the women who sings the songs of strength. She is the backbone of the people. So, to our women we say, sing your songs of strength; pray for your special powers; keep our people strong; be respectful, gentle and modest. Oh, Great One, bless our women. Make them strong today.
Famous Native Women
Rebecca Adamson (1950-) Native American Advocate
A member of the Cherokee nation, in 1980 Adamson founded the First Nations Development Institute. This group has established new standards of accountability regarding federal responsibility and reservation land reform and has an operating budget of about three million dollars. Adamson has aided indigenous peoples in Australia and Africa also and has received many awards for mobilizing and unifying people to solve common problems.
Ada Deer (1935-) American Indian and Civil Rights Activist
Deer was the first member of the Menominee tribe of Wisconsin to graduate from the University of Wisconsin-Madison and earned an MS in Social Work from Columbia. Deer led her tribe in gaining passage of the Menominee Restoration Act, which restored their land and treaty rights as American Indians. At the national level, Deer became Deputy of Indian Affairs and is now the Director of the American Indian Studies Program at the University of Wisconsin at Madison.
La Donna Harris (1931-) Indian Rights and Civil Activist
Harris, member of the Comanche tribe, has served since 1970 as president of Americans for Indian Opportunity (AIO), a multi-tribal organization devoted to improving life for American Indians. She has served on the National Rural Housing Conference and the National Association of Mental Health. Harris has expanded the AIO to include the "American Indian Ambassadors" program, which provides one-year fellowships for Native American students.
Winona LaDuke (b.1960) Author and Environmentalist
Winona LaDuke has worked for nearly three decades on the land issues of the White Earth Reservation in Minnesota including litigation over land rights in the 1980's. She currently serves as the Director of Honor the Earth and Founding Director of White Earth Land Recovery Project.
Queen Lili'uokalani (1838–1917) Monarch
The last reigning monarch of Hawaii, Lili'uokalani inherited a difficult situation in 1891. Foreigners forced through a new constitution which took away voting rights from most Hawaiians. A revolution, encouraged by the American government, forced Lili'uokalani to abdicate in 1893 and in 1889, the Hawaiian Islands were annexed by the United States. Among her legacies are over 200 songs she composed, including the very popular Aloha Oe.
Belva Lockwood (1830-1917) Lawyer, Women's Rights Activist
Lockwood graduated from the National University Law School in Washington, D.C. in 1873. In 1879, she was the first woman admitted to practice before the Supreme Court where, in 1900, she argued and won $5 million for the Eastern Cherokee Indians. She ran for president in 1884 and 1888 as the National Equal Rights Party candidate. Lockwood joined the Universal Peace Union, and in 1889 was a delegate to the International Peace Congress.
Wilma Mankiller (1945-) American Indian, Civil Rights Activist
Mankiller lived in San Francisco in 1969 when she and friends from the Indian Center successfully occupied Alcatraz and brought national attention to the needs of Indians. She returned to Oklahoma and became deputy chief of the Cherokee Nation in 1983. She was elected principal chief of the Cherokee Nation of Oklahoma in 1985, the first woman to be elected to this position. Mankiller served for 10 years and in 1991, she won with 82% of the vote.
Maria Montoya Martinez (1887–1980) Artist, Potter
Martinez lived in the small, ancient Tewa Indian village of San Ildefonso, New Mexico, where she learned the traditional Pueblo way of making coiled pottery from her aunt, Tia Nicolasa. She and her husband rediscovered the ancient techniques of firing polychrome and black-on-black pottery. These fine designs are highly praised today, and this blend of the old and new has helped produce economic self-sufficiency for the Indian village.
Sacajawea (1784-1812) Frontier Guide
Sacajawea was a Shoshone woman sold to a fur trader, Charbonneau, when she was fourteen. Lewis and Clark hired Charbonneau as an interpreter; Sacajawea was a translator and guide. She traveled with her two-month old baby nicknamed "Pomp." She saved the expedition when she met her long-lost brother, a Shoshone, who prevented conflicts with unfriendly tribes. Lewis named a "handsome river" in Montana for Sacajawea, this trusted interpreter.
Buffy Sainte-Marie ( 1941-) Singer
A Cree Indian, Sainte-Marie has supported Native American rights through her songs. Her intense political songs in the folk style of the 1960’s, like Universal Soldier and Now That the Buffalo's Gone, established her solid reputation as a songwriter and vocalist. Her first album debuted in 1964, and her latest in 1991. Sainte-Marie has written over 300 songs which have been recorded by her and more than 100 artists in seven languages.
Susette La Flesche Tibbles (1854- 1903) Indian Rights Advocate, Author
Tibbles taught at an Indian school after being educated in the East. In 1887, her Indian tribe, Ponca, was forcibly removed from their land on the Dakota-Nebraska border. Tibbles lectured in the East and made many converts to the cause of Indian rights, including Helen Hunt Jackson. In addition to writing Indian stories, in 1881 Tibbles addressed the Association for the Advancement of Women on "The Position, Occupation and Culture of Indian Women."
Sarah Winnemucca (1844-1891) Indian Rights Activist
Winnemucca, a Paiute Indian, was a liaison between the Paiutes in Nevada and the army in the 1870s. After the Bannock Uprising in 1878, Winnemucca lectured to publicize the injustices suffered by the Paiutes. She wrote a book, Life Among the Paiutes: Their Wrongs and Claims, which won wide popular support. She took thousands of signatures on her petition to Congress that passed a law giving land grants to the Paiutes, but the Secretary of the Interior ignored its provisions.
border of flowers
Elder's Meditations
"It is a paradox in the contemporary world that in our desire for peace we must willingly give ourselves to struggle." --Linda Hogan, CHICKASAW
The Grandfathers have taught us about sacrifice. We have been taught to pray for the people in a pitiful way. Struggle and conflict is neither good nor bad, it just is. Everything that grows experiences conflict. When the deer is born it is through conflict. When the seed first grows, it is through conflict. Conflict precedes clarity. Everything has the seasons of growth. Recognize - acknowledge - forgive and change. All of these things are done through conflict.
"Great Spirit, give me the courage today to see that struggle and conflict are here to teach me lessons that are a gift from you."
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Sunday, August 15, 2010
Sacred Fire
Grandfather looks heavenward at this hour. His gaze is steady and intense. I need to walk the path. Grandfather walks with me. The stillness is wonderful and refreshing. He hums softly. The vibration of the humming seems to open my sight to images of golden fields of wheat moving/swaying by the soft winds.
Raven calls. His graceful form moves effortlessly against a clear blue sky.He circles several times,then disappears among the grove of tree's nearby.
Now,I see a mountain range. It's slopes bare traces of snow. So silent,so massive.Eagle soars above it's summit.His call reverberates far and wide.Oh,how good to hear these blessed voices.I've missed their call.I've missed seeing them in their own respective element...such power and grace.
Grandfather and I walk on in stillness.He stops suddenly;and with a stick,traces a circle into the earth.He takes the pipe and moves it over the circle several times.He indicates to me that we should stand together inside the circle.As I step in to join him,the circle begins to move.Grandfather's eyes tell me to focus on his eyes,not the moving circle.I do. I feel the moving increase,even faster.He begins to hum again.The moving stops suddenly.I'm standing at the edge of the ocean. The waters are so calm.A voice whispers,"Little Sister,open your eyes." She stands before me. Her smile more radiant than the sun. "Come,she whispers." It's time to dance.The drums begin.She turns to the West. The sun is merely moments from setting. She whispers again,"Come," and takes my hand.The drums increase in pace and volume.I feel the familiar spiraling as it surrounds me.
She speaks,"We'll dance before the Ancients. We'll dance in the midst of the Sacred Fire. Come!"
Now,we're approaching a camp fire.The flames are so alive,so hypnotic,so timed to the drums.Several persons stand to receive us.She speaks,"Greeting beloved of the beloved.We come in answer to your call. We rejoice to be part of the Sacred Dance." We are made welcomed,and invited to enter with in the Sacred Circle. She turns her gaze toward me. She whispers,"Look deeply thru these portals, and enter with-in." Again,the spiraling begins and I am lifted up into the night sky.She whispers,"Listen to the drum. It is a single voice come to deliver a message.Listen closely, little sister."
I look for her, but see only the night sky.Suddenly,a single drum sounds.It's slow,steady beat comes ever nearer,until I feel a presence.Words fall gently and clearly before me.I can see the words take shape to form images. The words reveal wisdom and joy.
Each word and it's image reflects many life-forms,many seasons,many journeys.Unique and part of the whole message.I see a new world rising in the East. I feel a new life essence being poured out into and throughout the cosmos. I see dying suns and moons replaced by new ones.I see the skies tremble,and stars(unseen before,) appearing. All this wrapped in warmth,and light,and stillness.
The drum is now silenced,but I can feel it's vibration reverberating thru my entire being.She whispers,"Come,little sister."Soon it will be sunrise."I look at her,and see we are again at the waters edge."Please sing that song for me," I ask.She replies,"Sleep, little sister. I will sing your song.It is,after all,your song that I sing.
Again,I find myself on the path. As she sings,I'm met by Grey wolf. Within that song we are held,and walk in the wondrous stillness.As I make my way down the path to home,Grey wolf stops,lowers his head slightly,and walks away,back to the woods.Her voice continues to sing,somewhere deep within me.
Friday, August 13, 2010
Tall and Straight

Earlier today I was looking at this photocopy of a painting of my Great,Great Grandmother.I thought,"You suffered and endured so much pain,loss and agony at such a young age...Almost immediately,a thought,(her answer?)followed,"Yes,but I also knew goodness and love. I knew life as being kind and gentle,and hopeful..."
Unlike Grandmother,we(today)do not know the true meaning of persecution. We do not know what true deprivation is.We do not know the horror of ignorance and hatred based on color of skin,or ethnicity. She did,and so much more that even recorded history cannot relate.
Is there a defining line between resignation to fate,and the primal instinct to survive despite the hell and agony involved? I think there is a difference based upon the individual's perception;and innate ability to cope,even in the face of death and destruction.
Grandmother's brief account of her own experience(in my mind,) and as has been handed down thru generations,reveals no less.I cannot begin to grasp,(say nothing about appreciate,) what hell she endured as a child...the persecution of her existence,the loss of her dignity and life's purpose.The attempt by ignorance and hatred to reduce her,(and her own,) to less than human.
Yet,being who she is,she could tell us today,"I learned to love..." This woman's character,her vision of life,her very essence,is my heritage. Through me, she walks tall and straight. She walks with incredible dignity,with love I have learned to appreciate her with increasing clarity.
She knew what it meant to truly Live and love.
I Take my heritage with me trough each day,there-in is my shield of strength and wisdom,and vision of courage. I will walk tall and straight because she walks with me...Dancingfire
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Saturday, July 31, 2010

When I was very young and I first started to travel,long before Grandmother,Grandfather and the Ancients began to appear to me, in Dream time,I heard
these words spoken,"There are so many treasures."
here are the questions I asked and the answers I got .
Q.What treasures do you mean?
A."Each dimension, or level of consciousness has it's own treasures."
Q.Please give me examples.
A."While we converse,you experience(in many ways,) the treasure of communion,which is not of the earth plane.Your physical body is passive during this communion. A higher level of sense overrides the physical;yet,what you experience is no less valid,no less real,as is your physical body.This is something you already know.'
Q.How,who,initiates this communion?
A."The invitation is given.You choose to accept or not."
Q.Is there any danger(remotely or at hand,)to me should I choose to accept?
A."No! The invitation is offered only to those who are long prepared to accept."
Q.What is the preparation?
A."It is a process that evolves from before the 1st incarnation,up to(and including,) the current one.During each respective incarnation,there are fleeting glimpses of previous incarnation(s) given.
Some will dismiss those glimpses. Some simply cannot make a connection.Some find them amusing, only in passing. The few,(comparably speaking,) claim the images,and ponder their validity...all the while,recognizing(at a higher level of awareness,) that the images are not only valid,but vital to their personal evolution. Thus,the images serve to prepare one for the visitations to increase and intensify."
Q.Is one left to experience such visitations on their own,so to speak?
A."Only at the physical realm does the word "alone" have a place; and, that is only possible,by choice.
In reality,you are an integral part of the whole and complete.Consider ,for a moment;While on the earthly plane you live among countless people,near and far.Some you know,while many,many more you will never meet.You know this in countless ways;yet you also know the latter have ever been with you,from your 1st incarnation unto the present.Thus,"alone" is non-relevant.
When it is time to make the transition from the earthly plane,you are prepared by those who will accompany you home.
Q.When I experience a visitation do I leave my physical body?
A."No!You remain in the physical realm,while the higher consciousness(the REAL you,) steps beyond the earthly plane.It is this very fact that should clarify for you,the false notion of"alone."
Q. How many levels of consciousness are there?
A."There are as many levels as is necessary to bring you to fruition,to that whole and complete state.All of which,depends on how many times you will incarnate,in order to complete your mission."
What other treasures are there?
A."I suggest you study closely the previous dream time travel you have experienced. I will say,however,each level of the conscious,each incarnation,(which is one and the same,)Holds it's own unique"treasure." It is part of your mission to recognize each,and use it for the greater good.
Q.Can one choose not to incarnate again?
A. No! Because you chose to make this journey. You committed yourself to this noble mission involved.You were offered this mission with full knowledge of what would be involved.
With each incarnation,you have left some sign(image) of the previous incarnation,which you would call upon to help you re-focus whenever the clouds of confusion,might overwhelm you.(One of the 'treasures" of your 1st few incarnations.)
Q.Thank you,these insights are deeply appreciated. May we meet again,for further discussion?
A.When you need to do so.
Q.Who are you? Are you a guide,an Angel?
A. I am you...you,who is from before forever. I am you..."you," who are the greater love,the greater good. I am "you,"You,here on the earthly plane,who will continue to expand your true essence,ever deeper and wider...
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Wednesday, July 28, 2010

Grandmother seems to convey a determined look on her face. What might be her determination,do you think?
Perhaps,it's focus rather than determination...perhaps both. I suspect you cant have one without the other.
We have soared the heights on eagles wings.We've danced upon the waters.We've traveled so many dimensions,so many levels in a very short time.We have sat in council. We've heard the many voices;Raven,The drums,the ancients. We've beheld the glorious Fire of Infinity. We've walked the woodland path,stood upon the high cliffs,and wandered the valleys below.We've been in the awesome presence of pheasants and kings.
The velvet night sky surrounds me...from afar I see a tiny speck of light.It continues toward me...increasing in size and brilliance.

I hear the pulsing beat,as it continues to advance. I hear the drums,the chanting,and the velvet night sky is consumed by the massive light. It stops...a hush,a deep all-embracing calm pulsates noiselessly.

From the centre,there appears an oval shaped portal;then,she appears...so silent,so vibrant,so alive.She smiles and whispers,"Come to me. Look into these ancient ageless eyes. Tell me little sister,what do you see? I am entering her eyes. I see not her,but I see three pillars of fire. I see beneath each one an inscription,which read(respectively) 1. Soul 2. Heart 3. Mind. From aside she whispers,"Which of these do you claim for your own?I try to speak,but no sound comes forth.The incredibly deep silence wraps me with in itself. I am drifting.There is only the wondrous silence.
Dreamtime

As I slip into Dreamtime,a multitude of faces pass in review.Some were not very pleasing to see.Then Great Grandmother appeared,but only the outline of her face which seemed to emanate a soft white light, I saw her eyes(the dark pupils moving occasionally,)and I saw her lips moving as though speaking. I could not hear her words. Her face faded from view...flashes of reds,blue,green,amber, and a bright cobalt blue would come and go.For awhile I seemed to drift.
Suddenly,a multiple arched corridor appears. The arches seemed to emanate a diffused white light,or could have been the arches themselves. I recall 6 to 8 of them.Between the 5th and 6th arch,I noticed a dark clothed figure,which faded and replaced by many coming and going.
Again,I drifted. Great Grandmother's face reappeared,much the same as before,yet softer,more gentle...hard to define.So,I spoke to her,asking her to be present and work thru my hands.After some time,I woke up to find it was 2:A.M.
There is something rising on yet a new wave.
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